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Azealia Banks Back on The Blame Game

When it comes to poor excuses, pointing fingers and BLAMING others, Azealia Banks always comes to mind. Once again Azealia Banks Back on The Blame Game, but wait until you see who she’s blaming now!!!

Get more on Azealia Banks and find out who she’s BLAMING…

CelebnMusic247

Azealia Banks Back on The Blame Game

CelebNMusic247.com just got word that Azealia Banks has accused Taylor Swift and Lady Gaga of copying her work.

Really Azealia?

We find it funny how Taylor Swift, who debuted in 2006, and Lady Gaga, who debuted in 2005, is stealing from an artist who debuted in 2011?

How is that?

Here is what Azealia Banks is claiming on her Facebook:

The 24-year-old MC starts off her FUN FACT series writing:

“FUN FACT: “Idle Delilah” was the last song written for 2014’s, “Broke With Expensive Taste.” Written while intoxicated, Idle D chronicles the day in the life of a procrastinator.”

Azealia – who was banned from Twitter following a racist and homophobic rant directed at Zayn Malik earlier this year – targeted 26-year-old Taylor first and said:

”FUN FACT: ”SLAY-Z” is a nickname given to Azealia Banks by one of her fans in 2014. A play on the Z in Banks’ name, and her propensity to release consistently awesome music, the nickname was lifted from her twitter account and featured as one of the characters in Taylor Swift’s ”Bad Blood” video. Azealia Banks reclaimed the nickname upon the arrival of her self-released 2016 mixtape titled ”SLAY-Z. (sic)”

Azealia Banks continues to BLAME everyone for stealing her ideas like Lady Gaga and Taylor Swift who are the targets of the day.

Next, Azealia turned on Gaga and said the eccentric star named her 2013 album after a genre of music she herself had coined, titled ”Whitch-Hop”.

Banks pointed out:

”FUN FACT: Azealia Banks created her own genre of music called ”Witch-Hop.” Coined by the success of 2012’s Fantasea Mixtape, Azealia considers her music to be inspired by the invisible world. 3 days after ”Witch-Hop” was declared by Azealia Banks to be a legitimate genre, Lady Gaga (also a fan of Azealia Banks) suspiciously titled her then upcoming studio album, ”Artpop” (sic)”

That is NOT all Azealia thrives on her issues and he past always claiming to be the person who thought of it first but was screwed over.

She even points out how she ended up with a song meant for Missy Elliott:

“FUN FACT: When being courted by Interscope in 2011, “Chips” was originally written to be pitched to Missy Elliot. After listening to a shaky demo, Missy Elliot declined. Azealia went on to re-write and re-record the song, thus it ending up on 2012’s Fantasea Mixtape.”

To top that Azealia Banks justifies how she is an artist who is greatly ignored.

She writes:

“Azealia Banks is the most widely criticized and widely ignored artist of all time. While her equally controversial male peers are given an excess of room and public forgiveness to express themselves, (be it through drug trafficking, gun violence, misogyny, domestic violence, homophobia etc,) Azealia Banks has been demonized by the public at large for simply…… tweeting. opponents of Banks often cite her “bad attitude” as the reason for their avid disdain towards her…

…As evidenced by the excess of meta-data tagged to search query: “AZEALIA BANKS” Azealia’s opponents have single-handedly contributed to a global, real time exposure of her personal agenda(s) via the cyber world. Azealia’s agenda is rooted in her metaphysical philosophies of duality, gender dynamics, race, time, space, and individuality. All while welcoming cognitive dissonance with open arms, Azealia Banks has an extreme penchant for exploring “nonsense” and “non-sense” as ways to solve problems.”

We all see with our own eyes that Azealia Banks is lost in translation of justification…Never learning, never growing and always complaining.

Thoughts?

We have one…#GirlBye

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