Nine US dates, eight of them with Deafheaven opening — Interpol’s spring 2027 run is the left-field double bill indie fans did not see coming. This Interpol tour is one fans will not want to miss.
By The Superfan — CelebnMusic247
Nine dates, three Texas stops and one very loud opener: the Interpol tour is coming back to the United States in March 2027, with Deafheaven as special guest on most of the run, per Consequence. The nine-date stretch begins March 16 in New Orleans and wraps March 27 in Sayreville, New Jersey.
The routing, per Consequence, runs March 16 at Saenger Theatre in New Orleans, March 18 at The Espee in San Antonio, March 19 at Payne Arena in Hidalgo, March 20 at Bomb Factory in Dallas, March 22 at Satellite Music Hall in Memphis, March 23 at Thomas Wolfe Auditorium in Asheville, March 24 at The Anthem in Washington, DC, March 26 at The Met in Philadelphia, and March 27 at Starland Ballroom in Sayreville. Deafheaven will not appear at the Memphis date, per Consequence, so that night is Interpol only.
Interpol Tour Presale Info
Fans who want in early have a tight window. An artist presale kicks off Wednesday, Oct. 28 at 10 a.m. local time, followed by local presales Thursday, Oct. 29, with the general on-sale Friday, Oct. 30 at 10 a.m. local time, per Consequence and JamBase.
The tour supports Interpol’s latest album, This Mirror Weighs a Ton. JamBase reports it is the band’s eighth studio album, released in August through Partisan Records, recorded on Manhattan’s Lower East Side with producer Andrew Wyatt and mixed by Dave Fridmann — and the first Interpol album longtime touring bassist Brad Truax helped write and record. Before the spring run, the band still has European dates with Bloc Party lined up for the rest of 2026, plus radio station holiday concerts, per Consequence, and a trio of Mexico shows alongside The Black Angels, including a Mexico City date supporting Queens of the Stone Age.
Deafheaven arrive with new music of their own. The band released a surprise EP titled At Work in the Fields of the Bomb earlier this month, per Consequence. That is what makes this pairing sing on paper: Interpol’s icy, tailored post-punk in the headline slot, and Deafheaven’s shoegaze-soaked heaviness warming up the room — two bands who built devoted live followings by sounding like nobody else on the bill.
There is also a practical angle fans should not sleep on. These are theatres and mid-size rooms, not arenas — Saenger, The Anthem and Starland Ballroom sell out on bills half this interesting, and an Oct. 30 general on-sale for a March run means the best seats will move long before the holidays.
The 247 Take — Interpol could have booked a safe, soundalike opener and nobody would have blinked. Choosing Deafheaven instead turns a routine album tour into a genuine event — expect these rooms to be full well before the house lights drop.
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Sources: Consequence, JamBase
